MagicalRealism Beloved

MagicalRealism Beloved

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时间:2019-07-20

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1、InternationalJournalofHumanitiesandSocialScienceVol.2No.5;March2012Magic(al)RealismasPostcolonialDeviceinToniMorrison’sBelovedMehriRazmi,M.A.DepartmentofEnglishTabrizBranch,IslamicAzadUniversityTabriz,Iran.LeyliJamali,Ph.D.DepartmentofEnglishTabrizBranch,Islam

2、icAzadUniversityTabriz,Iran.AbstractMagicalrealismasadominantliterarymodeinToniMorrison’sBelovedcanbeconsideredasadecolonizingagentinapostcolonialcontext.Morrison’snarrativeinBeloved,takestheadvantageofbothrealismandmagictochallengetheassumptionsofanauthoritat

3、ivecolonialistattitudeandsocanbeallegedasapowerfulandefficientmethodtoprojectthepostcolonialexperienceofAfrican-Americanex-slavesintheUnitesStates.ItcanalsoprovideanalternatepointofviewtoEurocentricaccountsofrealityandhistorytoattackthesolidityofEurocentricdef

4、initionsandasaconsequencetoportraythehiddenandsilencedvoicesofnumerousenslavedgenerationsofAfrican-AmericansinthehistoryofUnitedStates.Thepresentstudyattemptstoexploremagicalrealism’sdecolonizingroleinMorrison’sBeloved.Inpursuingthisgoalitwilltracethenarrative

5、andthematicstrategiesofmagicalrealismthathighlightthenovelasanessentialtextofpostcolonialliterature.Keywords:binarism,decolonization,defocalization,Euro-centrism,magicalrealism,marginality,TheMiddlePassage,Postcolonialtheory.1.Introduction1Throughouttherecenty

6、ears,magicalrealismhasbecomeapopulartermwhichreferstoaparticularnarrativemodethatprovides“awaytodiscussalternativeapproachestorealitytothatofWesternphilosophy,expressedinmanypostcolonialandnon-Westernworksofcontemporaryfiction”(Bowers1).Thepopularityofmagicalr

7、ealistfictioninEnglishinpostcolonialnationshaspromotedadebateonthesuitabilityofmagicalrealismasapostcolonialstrategyofwriting.StephenSlemoninhisinfluentialarticle“MagicRealismasPost-ColonialDiscourse”,callsonamixtureofpostmodernistassumptionstoclaimthatmagical

8、realismisabletoexpressanumberofpostcolonialelements.Hedrawsattentiontotheproductionofbinarismanddualitiesoperatinginsettlerculturesthatforegroundthe“gaps,absencesandsilencesproduce

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