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1、WaitingforGodotBySamuelBeckettⅠABriefIntroductionⅡCharacters;Language;SymbolismⅢBackground;Theme;ConclusionABriefIntroductiontoSamuelBeckettandWaitingforGodotSamuelBeckett(1906-1989)Irishavant-gardenovelist,playwright,theatredirector,andpoet.WroteinbothFrench＆Engl
2、ishHiswork:ableak,tragicomicoutlookonhumannature,oftencoupledwithblackcomedyandgallowshumor.ConcernsaboutWesternanxietyandself-doubtinthe20thcentury.HisNovelsHistrilogy:Molloy(1951);MaloneDies(1958)TheUnnamable,(1960).绝少涉及真实的社会生活场景和具体的社会问题，而是致力于揭示人类生存的困惑、焦虑、孤独以及现代
3、社会中人们丧失自主意识后的悲哀。他的小说没有连贯的情节和动人的故事，其晦涩程度和当时勃兴的意识流小说并无差别。多采用一种环形封闭的结构，情节不断繁衍而又不断消解。主要情节被不断打结和扯断，直至被叙事彻底解构。HisDramaTheatreoftheAbsurd:Logicalconstructionandargumentgiveswaytoirrationalandillogicalspeechandtoitsultimateconclusion,silence.Threeimportantplays:Waitingfor
4、Godot;HappyDays;EndgameHisplayshaveacyclicalstructure：likeadiminishingspiral----theworldandthepeopleinitareslowlybutinexorablyrunningdown.WaitingForGodotAnabsurdistplayinwhichtwocharacters,VladimirandEstragonwaitendlesslyandinvainforthearrivalofsomeonenamedGodot.T
5、heSetting:alandscape,strangeandalien,acountryroadoranactuallonelyroad,asingletree.NofinalclosureintheBeckettianuniverse,thecharacterstakerefugeinrepetition,repeatingtheirownactionsandwordsandoftenthoseofothers-----inordertopassthetime.ACTⅠACTⅡ1.VladimirandEstragon
6、alone2.ArrivalofPozzoandLucky3.DepartureofPozzoandLucky:VladimirandEstragonalone4.ArrivalofBoyMessenger5.DepartureofBoyMessenger:VladimirandEstagonaloneVladimirandEstragonalone2.ArrivalofPozzoandLucky:Lucky’sspeech3.DepartureofPozzoandLucky:VladimirandEstragonalon
7、e4.ArrivalofBoyMessenger5.DepartureofBoyMessenger:VladmirandEstragonalonethecriticVivianMercierwrotethatBeckett"hasachievedatheoreticalimpossibility—aplayinwhichnothinghappens,thatyetkeepsaudiencesgluedtotheirseats.What'smore,sincethesecondactisasubtlydifferentrep
8、riseofthefirst,hehaswrittenaplayinwhichnothinghappens,twice.CharactersVladimir：--EstragoncallshimDidi,andtheboyaddresseshimasMr.Albert--responsibleandma
