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1、最后的山神分析，1.・・Entertheinnerworldofanomad.Inourcountryafterenteringthe90s,China，stelevisiondocumentarycreation,somerecordregular,dayafterday,yearafteryearofthefilminastateoflife,wayoflife,getthefavourofpeople・Especiallyatthebottomofthescene,livingattheedgeoftheordinarypeoplethatliveinacertaindistaneewi
2、ththecontemporarysocialmodellifecenteroftheedgeofthelivingspacetomodernpeopleinterestedinthelivesofmultiplication.〃Thelastmountaingod，z,whichwonthetelevisionawardatthe30tharmualmeetingofthegroupin1993,isatypicalexample・ThefilmrecordsthegreaterhingganmountainsolunchunpeopleMengJinfucoupleslivinginthe
3、mountainforests,itletsusintotheheartsofanomadic"一"withnatureasthegods,thefireandwater,andforestvegetation,canbecometheobjectoftheirworship・，zAwardevaluationis:〃throughout"thelastmountaingod,"theimageofanomadicpeople'sirmerworld,theworld，straditionalwayoflifeisaccompaniedbygenerationaftergenerationof
4、changeandchangethe・・・Theauthor,sunzeng,spenthalfayearinfrontoftheorunchuncommunity,andhiscamerafollowedmengjinfuintothemountainstoseehimpray.Hemadethedocumentary"thelastmountain,"、inthedaysafterbroughtSunCengtianmanyhonors,manypeoplesawnowdirectorofCCTVSunCengtian,ormustbefiledmorethanadecadeagothed
5、ocumentary,thelensinthestubborn,quietandlonelyoldman,isalingeringshadow,bytheaudieneerememberdeeply.Thisdocumentaryisbasedonthecharacterizationofmengjinfuandtheimageconsciousness・Theportraitoftheorenchunsafarihunterhighlightshissimplicity,kindness,loyaltyandsoon.Itcreatesthekindofprimitiveatmosphere
6、thatshowshisisolationandeventhe，，uncannibalism，/ofliving・Inthesequenceoftimeandspace,thefilmdepictsthepreciseandmovingstructureofthedetailednarrative,whichshowsthesimplecharacterofmengjinfu.Themostprominentfeatureofthefilmistheuseofactiondetails・MengJinfuasorogenfinallyashaman,hisbehaviorinevitablyw
7、ithalotoftracesofprimitivereligiousworship,heseesthenatureofallthingsasgodtoworship・Tocarveamountaindeityinfrontofapinetreeandworshipit.Everytimehegoestothemountain,heasksthemountaingodtogivehimhispre
