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1、英国部分TheRenaissancePeriod1.Renaissance:between14thandmid-17thcentury.2.Renaissancemeansrebirthorrevival,isactuallyamovementstimulatedbyaseriesofhistoricalevents,suchastherediscoveryofancientRomanandGreekculture,thenewdiscoveriesingeographyandastrology
2、,thereligiousreformationandtheeconomicexpansion.3.theRenaissance,thereforeinessenceisahistoricalperiodinwhichtheEuropeanhumanistthinkersandScholarsmadeattempttogetridofthoseoldfeudalistideasinMedievalEurope,tointroducenewideasthatexpressedthepurityof
3、therisingbourgeoisie,andtorecoverthepurityoftheearlychurchfromthecorruptionoftheRomanCatholicchurch.4.HumanismistheessenceoftheRenaissance(1)Capableofindividualdevelopmentinthedirectionofperfection.(2)Theyinhabitedwastheirsnottodespisebytoquestion,ex
4、ploreandenjoy.(3)ByemphasizingthedignityofhumanbeingandtheImportanceofthepresentlife,theyvoicedtheirbeliefsthatmandidnotonlyhavetherighttoenjoythebeautyofthislife(4)TomasMore,ChristopherMarlowandWilliamShakespearearethebestrepresentativeoftheEnglishh
5、umanist.5Metaphysicalpoetry:Metaphysicalischaracterizedbypassionatethoughtsuccessionofconcentratedimage,exerciseofelaborateingenuityand“wit”,JohnDonewasthefamousoftheMetaphysicalpoet.TheMetaphysicalPoetsweremenoflearningandtoshowtheirlearningwastheir
6、endeavour.EdmundSpencerMasterpiece:TheFaerieQueene(allegory)ChristopherMarloweUniversitywitsImportantplays:Tambulaine,Dr.Faustus,TheJewofMetaEdmundIIMarlowevoicedthesupremedesireofthemanoftheRenaissanceofinfinitepowersandauthority(1)Perfectedtheblank
7、verse.(2)CreationoftheRenaissanceherotoEnglishdrama,itembodiesMarlowe’sidealofhumandignityandcapacity.Dr.Faustus:aspiringforknowledge,theplay’sdominantmoralishumanratherthanreligious,itcelebratesthehumanpassionforknowledge,powerandhappiness,italsorev
8、ealsman’sfrustrationinrealizingthehighaspirationinahostilemoralorderandtheconfinementtotimeisthecruelestfactofman’scondition.WilliamShakespeare1.Works:154sonnets,38plays,2longpoemsComedy:MerchantofVenice.24greattragedies:Hamlet,Othello,KingLear,Macbe