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1、MASTERTHESISScotsPastoralandRobertBurnsEnglishLanguageandLiteratureAreaForeignLanguagesSchoolZhejiangUniversityofFinanceandEconomicsSubmittedbyWangLinanSupervisor:ProfessorXuXiaodongDecember,2014ABSTRACTKnownasthe“heaven-taughtploughman”,RobertBurns(1759-96)isoneofthemostfamousandinfluent
2、ialbardsinScotland.HeisalsowidelyregardedasthenationalpoetofScotlandandiscelebratedaroundtheworld.HispoemsarealwayswrittenintheScottishdialectonavarietyofversionsexpoundingondifferentsubjects,suchaspoliticalpoems,satiricalepigramsandlyricsballads.Ifdomesticstudiesaremainlyconcernedwiththe
3、appreciationandtranslationofcertainepigramsandepistlesofBurns’earlypoems,thisthesiswillmainlyexplorehislaterpoemsfromanothernewpointtoenlargeawilderhorizon---Burns’vocationalinvolvementwiththeprosethgeorgicsandScotspastoralinthe18century,towhichhehasgraduallyattractedmoreandmoreattention.
4、WhatimpressesusreadersmosttodayaboutRobertBurnsis,ontheonehand,thehallmarkfeatureofhisreinventionofpastoral---hisuseofScottishdialectandfrequenteschewalofpoliteAugustancoupletverseinfavorofsixteenthandseventeenth-centuriesScotsverseformssuchastheChrist’sKirk,CherryandSlae,especiallytheado
5、ptionoftheStandardHabbie.SomeofhismostfamouspoemssuchasToaMouseandHolyWillie’sPrayerhavesurpriseduswiththeirunusualpoetictechniques,particularlyforitsemploymentofthisrepresentative6-linestanza.Ontheotherhand,RobertBurnscallsfortherenaissanceofclassical,andespeciallyTheocritanpastoral,whic
6、hisidentifiedwiththeshepherd-songsvoiceoftherevivalofScottishvernacularpoetryatthattime.ButBurns’pastoralpoemshavethetendencyforrusticityandforcriticalrealism,whichisinlinewiththeScotspastoralpoetry.Burns’poemsarerooteddeeplyinScotland,andarealwaysthereflectionsoflocalcolorandcustoms.Hisp
7、oemsrelateshepherds,thecotterswithwhomheisquitefamiliarwith,thepureandinnocentyouthofScotland,theheroeswhohavefoughtfortheindependenceoftheirnation,andtheScotchurchandthesnobbishgentrywhichhehatredsmost.IAsaploughmanpoet,Burnsisquitefamiliarwiththelocalnativ