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1、工业时代的戏剧命运对魏明伦的四点质疑（WeiMinglun'sfourdoubtsaboutthefateofdramaintheindustrialage）ThefateofthedramaintheindustrialagequestionedWeiMinglun'sfourquestions..txttherearethreekindsofpeopleintheworld:onewhohasconscienceeatenbydogs,twowhoarenoteatenbydogs,andthreewh
2、oarenoteveneatenbyconscience.),loveisadream,andIhavesleptfourheadindustrialeradramathefateofWeiMinglunquestioned"Chinesedrama"publishedWeiMinglunmasterpiece"contemporarydramaofdestiny",readafterverysurprised.AlthoughtherearesomesimilaroridenticalviewswithM
3、r.Weiinsomespecificconcretejudgments,however,onthewhole,therearemanydoubts.WeiWeninvolvedmanyproblemsareworthyofattention,notonlyhavedifferentopinions,darenotputforwardwhichexistsincounterparts,especiallyMr.wei.Theriseoftelevisionandentertainmentroom"TheWe
4、iMingluntobetheexpressionofaverynovelthatissaidtohavenowenteredthe"livingroomentertainment"or"entertainmentroom"era,dramaticdeclineisinevitable.Inthefaceofthe"age"suchafrighteningthing,dramatistsarereallysmalltonoconfrontation,sothereisonlyahelplessquiet,w
5、aitingforthe"era"change.WeiMinglunon"culturalandentertainmentroom"erathatwilldeclineduetotheriseofdrama,TVisanewformofentertainmentwhichwillcausedramaticcrisisextendedtomulticultureentertainmentimpact.Similarviewshavecirculatedforyears,fortunatelyMr.Weitob
6、estated"theimageofculturalandentertainmentroom"approach,itiseasytounderstand,buttheerrordoesnotchange.Overtheyears,IhavealsobeenconcernedaboutandtryingtoexploretheplightofChinesedramaandtherootcauseofthecrisis.Ican'tagreewiththeTV(ormorecrudelycalled"film"
7、),aswellastheriseoftheso-calledmultipleformsofentertainmentasreasonsfallintothepredicamentofthedramaview,suchaconclusionissuperficialandskindeepto.Firstofall,weneedtoconsidertwobasicjudgments.First,thecrisisofChinesedramaisnotparticularlyserious,andsecondl
8、y,theChineseTVandTVprogramsarenotparticularlyspecial.Thefirstjudgment,Iwanttogiveapositiveanswer.Thedeclineofdramaisaworldwidephenomenon,butasfarasIknow,thedeclineofdramainmostcountriesandregionsisnotsoseriou
