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1、艺术-艺术是表现德国表现主义到新表现主义（Art-artisGermanExpressionismtoNeoexpressionism）Abstractartisthe"performance"criticismasanewtheoryofartandliterature.From1920sto30s.Atthattime,manyyoungGermansandtheEuropeansaretryingtobreakthe"artimitates"concepttocreateanewformofart,theartisofsomeco
2、nceptsandideasofexpressionism.Inthepostmodernera,for"artisamanifestationofthenewfurtherinterpretation,andthusmorein-depthunderstandingofthisnewtype.KeywordsperformancepointofviewistheperformanceofthenewGermanExpressionismexpressionistartSinceancienttimes,artcreationtheor
3、y,istornbetweensimulationtheoryandcreation.WesttotheancientGreekphilosopherAristotlefirstproposedtheartistoimitateormimictheory,waslaterreveredasthetheoryofimitation(theoryofmimesis,ortheoryofimitation):Platonisthefounderofthetheoryofcreativity(theoryofcreativity)master.
4、Aristotlestressedthatartworksbycopyingsimulationsurfaceappearance,theuseofdifferentmaterials,differentpeoplethroughwhichtheartist'shandandmade.Platonisthefamousartofcontempt.Heopposedtheconsciousnessofartistheimitationorsimulationtheory.Putforwardasetofhisowntheory,thatt
5、hesourceofartisticcreationishumancreativity,artistocapturetheabstractionandsimplificationoftheconceptofwork.Platonputtheartworkforrationalabstraction,arthasbeendescribedastheconceptofmagicmaster,onlyrational,consciouslybythephilosophertocomplete.Butfromthepointofviewofth
6、ehistoryofWesternart,Aristotle'simitation/mimictheoryhastheupperhand,afterhundredsofyears,hasbeenthedominantideologyofWesternarttheoryandaesthetics.DuringtheRenaissance,ontheonehand,Platon'stheoryofanewunderstanding,ontheonehandandtheRenaissanceofthesimulationoftheartofa
7、ncientgreece.IneighteenthCentury,WilliamBlake(WilliamBlack)returnedtoPlaton'stheory,criticismofRenaissanceartimitatingtherealpractice,thereisnoliferepeatingmyself,donotstoptoart.FromtheendofnineteenthCentury,theFrenchimpressionistpainter,tohisownartisticcreationtobreakth
8、roughtheartsimulationtheory,butthepostimpressionistuntiltwentiethCentury,VanGoghandGauguintrulymakesart
