电影意识：从现象学到德勒兹

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1、Film.ConsciousnessFromPhenomenologytoDeleuzeSPENCERSHAWMcFarland&.Company,Inc.,PublishersJefferson,NorthCarolina,andLondonAcknowledgmentsMyinterestinscholarshipandphilosophyinparticularfirstbeganwhenIhadtheprivilegeofstudyingunderDr.WalterIsaacson.Iwou

2、ldliketothankFrankHenriksen,atCopenhagenUniversity,fortheoriginalinspirationtoworkinphenomenologyandhermeneutics.AttheUniversityofSouthernCalifornia,AlanCasebier,MarshaKinderandthelateProfessorBeverleHoustonweregenerousintheirsupport,aswasDanielDayanat

3、theAnnenbergSchoolforCommunication.Finally,forresearchintoDeleuzeIamindebtedtotheguidanceofProfessorKeithAnsell-PearsonatWarwickUniversity,UK.ContentsAcknowledgments...........................VllPreface'"1Introduction....................31.PHENOMENOLOG

4、YANDFILMOrigins................21TheSpectrumofFilmConsciousness24DialecticMisgivings......292.PHENOMENOLOGICALGROUNDINGRealistTheory....34RealtoReel.....36LifeworldEncounters37Intentionality....4SPhenomenologicalHermeneutics49Gadamer'sPlay........S33.B

5、ODYANDTRANSCENDENCEMerleau-Ponty'sEmbodimentS6ExpressiontoMeaning61Bazin'sOntology...66TheNegatingSelf...71TranscendentalSurvival744.REELTIMETemporalObjectivities................81ixxContentsSelf-ConstitutingFlux85InternalTime-Consciousness87FutureExpe

6、ctation.....90Bergson:MovementandIntermediateImagery94ReelisingMemory................98BridgingGaps.........................1035.WALTERBENJAMIN:THENEWREALMOFFILMCONSCIOUSNESSMaterialismandAllegory.........106DialecticalImages..................111Mechan

7、icalReproductionandAura119ReturningtheGaze:AuraTransformed126BenjaminandSurrealism132DistractionandInnervation..1406.DELEUZEANDCINEMAMontageandMovement-Image146EisensteinMontage........149ImagingThoughtProcess152AfectivityandtheInterval155VertovandtheM

8、achinic158LiquidSubjectivity1637.MARKINGTIMEThinkingOtherwise..........168ForksofTime.............173AberranceandProblemIdeas178TheSplitSelf...180Time-Out-of-Joint182FilmEvents187OutsideofFilm191ChapterNotes195Bibliography209Index.....2