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1、SINGERfilm/philosophyCinematicMythmakingPhilosophyinFilmIRVINGSINGERCinematicMythmakingIrvingSingerisProfessorofPhilosophyatMIT.Heisthe“IrvingSingerdeployshismasteryoftheWesterntraditionsofFilmisthesuprememediumformythmaking.ThegodsandauthorofRealityTransformed:FilmasMeaninga
2、ndmythwithsustainedeleganceandatotallackofpreten-heroesofmythologyarebothlarger-than-lifeanddeeplyTechnique,ThreePhilosophicalFilmmakers:Hitchcock,tiousness.HisreadingsofmajorHollywoodandEuropeanhuman;theyteachusabouttheworld,andtheytellusaWelles,Renoir,andIngmarBergman,Cinem
3、aticfilms—andrelatedstories,novels,plays,andoperas—aregoodstory.Similarly,ourexperienceoffilmisbothdistantPhilosopher,allpublishedbytheMITPress,aswellasperceptive,intellectuallysubtle,andquietlyrevisionist.Singermanyotherbooks.hasagreatteacher’sgiftformakingfresh,unexpectedli
4、nksandintimate.Cinematictechniques—panning,tracking,amongsomeofthebest-knownworksofcinematicart.Ajoyzooming,andtheothertoolsinthefilmmaker’stoolbox—toread.”createaworldthatisunlikerealityandyetrealisticattheEdwardBaronTurk,authorofChildofParadise:MarcelCarnésametime.Wearepass
5、ivespectators,butwealsohaveandtheGoldenAgeofFrenchCinemaandHollywoodDiva:apersonalrelationshipwiththeimagesweareseeing.InABiographyofJeanetteMacDonaldCinematicMythmaking,IrvingSingerexploresthehidden“Claimingtobeneitherfilmtheorynorfilmhistory,Irvingandovertuseofmythinvarious
6、filmsand,ingeneral,theSinger’sCinematicMythmakinginvitesreaderstopartici-philosophicalelementsofafilm’smeaning.Mythologicalpateinanexplorationoffigureswhocontinuetocaptureourthemes,Singerwrites,performacrucialroleincinematicimaginationsasaresultoftheirmoralanderoticcomplexity
7、,artandevenphilosophyitself.figuressuchastheremadewoman,thesufferingfemale,Singerincisivelydisentanglesthestrandsofdifferentandthemalehero.Throughcloseanalysesofindividualfilmsframedwithinacontextofwide-rangingreferencestomythsinthefilmshediscusses.HefindsinPrestonSturges’sli
8、terary,theatrical,operatic,andphilosophicaltraditions,TheLadyEvethat