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1、TheRomanticEnglishLiteratureOf18thCenturyBy曾佳ThefirstgenerationrepresentativeofromanticliteratureWhenitcomestoBritishromanticism,thereisnodenythat"TheLakers"poets(“湖畔派”诗人)aremostimportantpeople,especiallyWordsworth(华兹华斯),Coleridge(柯勒律治)andRobertSouthey(骚塞).Theydislikedthecapitalistcivilizati
2、on(资本主义文明)andcashtransactions(现金交易)betweenpeople,butaspiredtomiddleperiodoffeudalsociety.TheylivedinthelakedistrictofnorthwestEngland,fromwhichthaygottheirname.Theirpoemsreflectedpatriarchalrurallife(宗法式的农村生活)andthenaturalscenery,orstrangeandmysteriousstories(奇异神秘的故事)andexoticscenery.(异国风光 )
3、萨缪尔-柯勒律治罗伯特-骚塞Wordsworth(华兹华斯)(1770-1850)wasthefirstmainromanticEnglishpoet,whowasalsoEurope'sgreatpoet.Becausehelikedtosingpraisestonaturalbeauty,forwhichhehasbeencalledasa"naturepoet".Representativeworks:PrefacetoLyrical《抒情歌谣集》Coleridge(柯勒律治）：BalladsRime of the Ancient Mariner《古舟子咏》、Kubla
4、Khan《忽必烈汗》、ChrisTeBeiEr《克里斯特贝尔》thereaper(孤独的收割人)beholdher,singleinthefield,yonsolitaryhighlandlass!reapingandsingingbyherself;stophere,orgentlypass!aloneshecutsandbindsthegrain,andsingsamelancholystrain;olisten!forthevaleprofoundisoverflowingwiththesound.nonightingaledideverchauntmorewelcome
5、notestowearybandsoftravellersinsomeshadyhaunt,amongarabiansands:nosweetervoicewaseverheardinspring-timefromthecuckoo-bird,breakingthesilenceoftheseasamongthefarthesthebrides.willnoonetellmewhatshesings?perhapstheplaintivenumbersflowforold,unhappy,for-offthings,andbattleslongago:orisitsomehum
6、blelay,familiarmatteroftoday?somenaturalsorrow,loss,orpain,thathasbeen,andmaybeagain!whate'erthetheme,themaidensangasifhersongcouldhavenoending,isawhersingingatherwork,ando'erthesicklebending;ilisten'd,motionlessandstill;and,asimountedupthehill,themusicinmyheartiborelongafteritwasheardnomore
7、你看她，一个人在地上，那个孤独的山地姑娘！独自割麦，独自在唱歌；停在这，或者轻轻走过！她一个人割着捆着麦子，唱着凄凉的调子；哦，听吧！这山谷深深，弥漫着她的歌声。夜莺在阿拉伯的沙漠里面，在幻洲的某些树阴，为疲倦的商旅所欢迎，从没有唱得这样好听；春天时分杜鹃鸟鸣在极远得希伯里得斯群岛叫破了海洋的沉静，从没有叫出这样甜的声音。没有人告诉我她唱的是什么，或许是古老的不幸的哀歌歌唱这遥远的事物，歌唱这古代的战火；或许是流传的民间歌谣歌唱着今天的口碑传说？是一些难免的悲哀，死亡或者痛苦，以前有过，将来
