西方电影文化-蒙太奇6

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1、ThemeBroadHumanConcernsLifePhilosophiesReligiousandEthicalConcernsHistoricalIssuesNationsandNationalCharacteristicsSocial/Cultural/TechnologicalChangesSocialProblemsMontageScene(Actor--Director--Montage)Montage(fromtheFrenchfor"puttingtogether")MontageoriginatesfromaFrencharchitecturalterm，w

2、hichhasbeenborrowedbythefilm－makingfieldandreferstothechoosing，cuttingandcombiningofseparatephotographicmaterialsoastomakeaconnectedfilm.Thefilmartistsdividethecontentintodifferentstages，scenes，etc．andtreatthemrespectively；thenbasedonthethemeandtheplot，usecertaintechniques，toeditthem，produci

3、ngtheeffectsofcoherence，echo，contrast，symbolization，exaggeration，foilandsuspense，resultinginanintegratedartisticwork影片制作中，艺术家们根据剧本主题的需要、情节的发展将影片所要表现的内容分解为不同的段落、场面、镜头，分别进行拍摄和处理。然后再通过一定的艺术技巧，合乎逻辑而又富有节奏地把它们组合起来，使其相互作用而产生连贯、呼应、对比、暗示、夸张、衬托、悬念等效果，构成一部完整的艺术作品。ModernTime(1936.2.05)GreatDepression(19

4、29-1933)1’2244’Montagecanbedividedintonarrativeandexpressivemontage．Narrativemontageisbasedonthedevelopmentoftheplot，bywhichtheaudienceisattractedandenabledtofollowthechronologicalorder，tolearnthecausesandeffectseasily．Ifsubdivided，narrativemontageconsistsofconsecutivemontage，paralleledmonta

5、ge，crossingmontageandreviewingmontage.Buttheyarenotusedseparately．Infilm，theymergeintoandsupplementoneanothertomanagethesubjectmorefreelyandthoroughlyExpressivemontagecombinesalltheshotsdirectly，evenwithoutconcreteimages，andprobablyforcestheaudiencetounderstandintheirownwaytheinternalimplica

6、tionscarriedoutbytheabstractcodes.Itincludescontrastivemontage，metaphoricalmontage，psychologicalmontageandrationalmontageSequencesandMeaning次序与意义TheprinciplesforTranslationoffilmtitles剧情与主题原则（PlotandTheme）文化与地域原则（CultureandRegion）审美价值原则（AestheticValue）商业（明星）价值原则（Market/StarValue）Casablanca卡萨

7、布兰卡/北非谍影剧情与主题原则（PlotandTheme）PearlHarbor/珍珠港Spellbound/爱德华大夫Seven/七宗罪TheRock/勇闯夺命岛/石破天惊/绝地任务文化与地域原则（CultureandRegion）PrettyWoman/漂亮女人/风月俏佳人/麻雀变凤凰TotalRecall/全面回忆/魔鬼总动员/宇宙威龙Outbreak/恐怖地带/极度惊慌/危机总动员TheRunawayBride/落跑新娘/走佬俏佳人/审美价值原则（AestheticValue）Sin