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1、THECOLLECTEDPOEMSOFHARTCRANEEDITEDWITHANINTRODUCTIONBYWALDOFRANKLIVERIGHTPUBLISHINGCORPORATIONNEWYORKTHECOLLECTEDPOEMSOFHARTCRANE*COPYRIGHT,1933,LIVERIGHTINC.LIVERIGHTPUBLISHINGCORPORATION*ConrigMinAllCountries*BLACK&GOLDEDITIONJULY,1946*ManujlJctu1"eJmtheUnitedStatesofAmeri&1
2、IEDITOR'SNOTEATthetimeofhisdeath,HartCranehadpre•paredforpublicationavolumetobecalledKeyWest:AnIslandSheaf.Thiscollection,withthepoemsasarrangedbyCrane,figuresasPartThreeofthisvolume.TheUncollectedPoemswerefoundinmanuscriptamongthepoet'spapers,andwerewrittenforthemostpartinthe
3、lastthreeorfouryearsofhislife.Someofthemhadnotitle.Manyofthem,itisclear,areincompleteandweresoconsideredbythepoet.Thereexistanumberofl1arioraofcertainpas•sagesofTheBridge,apartfromthevariationsinthePariseditionwhichappearedafewmonthsbeforethefirstNewYorkissue;buttheEditorhasno
4、tjudgedthatthepublicationofvanorawouldbeadvisableinthisfirstcollectededition.ThetextofTheBridgeadheredto,isthefinalonechosenbythepoetandpublishedbyLiveright,Inc.TheEditorisindebtedprincipallytoMrs.GraceHartCrane,thepoet'smother,andtoMr.SamuelLoveman,forassistanceinthepreparati
5、onofthisvolume.HisthanksareduealsotoMr.MalcolmCowley,Mr.PatMcGrathandMr.JosephKling,formereditorofThePagan.~NINTRODUCTIONIdwellinPossibilityAja:LrerhousethanPrO!6.Morenumerousofwindows,Superiorojdoors.EMILYDICKINSONaAGRARIANAmericahadacommonculture,whichwasboththefruitandtheca
6、rrierofwhatIhavecalledelsewhere'"thegreattradition,."1ThistraditionroseintheMediterraneanworldwiththewillofEgypt,IsraelandGreece,torecreatetheindividualandthegroupintheimageofvaluescalleddivine.ThesamewillestablishedCatholicEurope,andwhenitfailed(producingnonethe·lesswhatcamet
7、ohethenationalEuropeancultures),thegreattraditionsurvived.ItsurvivedintheEuropeofRenaissance,Reformation,Revolution.WiththePuritans,itwasformallytransplantedtotheNorthAmericansea•hoard.RogerWilliams,ThomasHooker,JonathanEd·wards;later,inamorenarrowsense,Jefferson,Madison,Adams
8、,carriedonthegreattradition,withthesametools,onthesameintelle
