笙的演变及其20世纪视阈下的笙曲创作初探——兼谈四首笙曲的演奏解析.pdf

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1、‘？＊．．一Ｊ．一—．＇’，－峡—．＾、．．．，ＶＶ＇－、、／，：冷乂．Ｕ’＾ＶＹ＇＇＝．．＇—、１二－：巧乃：．．－护产．：？．，．＇＇＾．，這扣Ｖ７．二．六八ｉ／縣诚？．‘ｒ：：掉纖暴；矿山術或化雜ｉｉ’Ｉ隊珠＇卷‘、、‘．銳一＇、為：ｉ＿，Ｖ诚禱ｒ．硕±１擎位施衣鑽議．｜．．‘八．，．；．．、．Ｖ管線攝：二：；卑；知ｋ．＇记爲巧猶蜗囉’．．＇＇＇＇１＂’‘：｝．＇＇？、．，：．，一ｒ，与．Ｖ：，冷！：；常病慧难軒巧游沁护；鸣茹

2、卢啡靖辕’’；．．：：论文题配桃Ｖ；苗：。；．．；廿挣．，第纖調伽議？．、＇．＇、＇＇：、；４、＇’．＞，＇－＇、：、、产－：，、．中．文．．ｖ，．、Ｖ冷一—；＾苦冉一々护■＇＇？■心＇＂．－．二、，＇：：．．：Ａ户一寇．八背＇一．．、、、乂、．一‘一、，、Ｖ、…、二ＶＶ义、：－、：记心２０世纪视锁下的連曲削作巧探苹紀合背莲的演变及其巧辯：一兼細首望曲産論佑？教，携彎：靡５每＾廣绍‘＇－．＇、－、．心＼，…＇．辨冷：Ａ：．篇；栅：ｖ，摩帶為鶴ｙ？％

3、拓辑．．＇ｉ＇‘’’中‘．識：八．．．．＇、■．纖．．．婷百、苗六，碱鴻，劫綻城礎裕祭齡麵气－扣：？Ｖ，，？；巧纔沪策始弊＇鸣－，＇．‘．皆＇＇；鑽择：Ｖ．，碑、：．者．作．奔节：．芳巧臀接補批：著拉霉歎載變＇’．＇＇冲ＶＶ．拿：音乐与舞蹈巧叛、：、：／、滅配皆參費／：举料Ｉ？畔－‘－‘．，：．．云哨’１祝惊於ＶＶ．＇甫鱗玄線＇＇．．．全：日制学术型．：．ｙ．．，别遠論驚成养聖ｙ龄議議．學＇！、；’－‘＇到＾；，＇＇；；於；：’＂，．（篷〉演奏．相乐

4、器，戳Ｖ，；谢：；满遍杂為Ｉ議於誓若；．或＇，＇＇：。＇：■刊．＇；我爲皆＾ｆ１＾‘．’聲‘、＇、．、一ｄ＾产教拆牟楠副教授畜巧授呼；巧寫：．．．：．入與．扛占＾獻脯么．．．．＿＿Ｉ’教＿—如师姑無，爷心手．．、驴；轉—＇，＇＼扛八、，；：．：＇打巧＼、、－＇－－＊；异抑．Ｖ己為热．苦赴，‘’．．‘■产、勢策：ｒ？：．１；：，巧親Ｃ２０巧６‘．站皆巧二．；气禹，谱、線，；；年巧織總锦褲－月苗．．．；、－．．＞：：八脚游ｍ巧乃：牌雛．护巧鶴鱗纖．＇、、，户輿，若縣野－严：－Ｖ；

5、ｆｅ，：：作鑛與始Ｋｉ：，＇可‘■－、、八．－＞咕＞、？？？Ｉ－，？．……、？？、．Ｓ－节．‘、．、＞？Ｖ人：、件Ｖ，．：、、，占、ｓＶ学校代码：10458学号：1201002山东艺术学院硕士学位论文论文题目：笙的演变及其20世纪视阈下的笙曲创作初探——兼谈四首笙曲的演奏解析作者姓名董康康学科音乐与舞蹈学培养类别全日制学术型研究方向中国乐器演奏（笙）指导教师姓名牟楠副教授宫富艺教授2015年6月1日目录中文摘要·····························

6、·····················································································1ABSTRACT··················································································································2引言···············································

7、·······································································3第一章概述笙的发展····························································································5第一节20世纪前笙的演变········································································

8、··5第二节20世纪后笙的改革与发展······························································6第二章概述20世纪视阈下的笙曲创作······························································9第一节胡天泉的演奏及创作·····················