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1、完形填空（一）TherearemanytheoriesaboutthebeginningofdramainancientGreece.Theonemostwidelyacceptedtodayisbasedontheassumptionthatdrama___16___fromritual.Theargumentforthis___17___goesasfollows.Inthebeginning,humanbeingsviewedthenaturalforcesoftheworld—eventheseasonalchanges—as___18___,andthey___19___t
2、hroughvariousmeanstocontroltheseunknownandfearedpowers.Those___20___whichappearedtobringthedesiredresultswerethenretainedandrepeated___21___theyhardenedintofixedrituals.Eventuallystoriesarosewhichexplainedorveiledthemysteriesoftherites.Astimepassedsomeritualswere___22___,butthestories,latercall
3、edmyths,persistedandprovidedmaterialforartanddrama.Thosewhobelievethatdramaevolvedoutofritualalsoarguethatthoserites___23___theseedoftheaterbecausemusic,dance,masks,andcostumeswerealmostalwaysused.___24___,asuitable___25___hadtobeprovidedforperformancesandwhentheentirecommunitydidnotparticipate
4、,aclear___26___wasusuallymadebetweenthe“actingarea”andthe“auditorium”.Inaddition,therewereperformers,and,sinceconsiderableimportancewasattachedto___27___mistakesintheenactmentofrites,religiousleaders___28___assumedthattask.Wearingmasksandcostumes,theyoften___29___otherpeople,animals,orsupernatu
5、ralbeings,andmimedthedesiredeffect—successinhuntorbattle,thecomingrain,therevivaloftheSun—asan___30___might.Eventuallysuch___31___representationswereseparatedfromreligiousactivities.Anothertheory___32___thetheater’soriginfromthehumaninterestinstorytelling.Accordingtothisview,tales(aboutthehunt,
6、war,orotherfeats)aregradually___33___,atfirstthroughtheuseofimpersonation,action,anddialoguebyanarratorandthenthroughthe___34___ofeachoftherolesbyadifferentperson.Acloselyrelated___35___tracestheatertothosedancesthatareprimarilyrhythmicalandgymnasticorthatareimitationsofanimalmovementsandsounds
7、.16.A.evolvedB.differedC.datedD.resulted17.A.choiceB.viewC.principleD.suggestion18.A.unfavorableB.unpredictableC.unspeakableD.unreliable19.A.demandedB.affordedC.soughtD.swore20.A.decisionsB.themesC.traditionsD.measures21.A.afterB.
