从《金玉奴》看荀慧生音乐表演美学特征

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1、AbstractXunHuishengwasnotedasoneofthefourgreatestDanActors．HiselaborateperformingstylewasentitledXunStyleofBeijingopera．Insteadoffollowingotheractors’suit，herevolutionizedthestyleofoperaperformancebymeansofathoroughunderstandingofcharactersandplots，whichresultedinthelivelyportraitofrebellioushe

2、roines．Xunsparednoefforttointegratethescenesofpeople’Sdailylifeintoperformances，avoidingthestereotypicalpresentationofcharacters，whichswamwiththetideoftheoperaperformancesincethetwentiethcentury．Herelentlesslypursuedtheintimatespiritualinteractionsbetweenactorsandaudiences．Hisimpeccableinnovati

3、onandexpertadherencetothetraditionalrulesoftheoperaperformanceearnedhimnationwidereputation．ThisthesisprobesintothemusicalaestheticsofXunHuisheng’Sperformancein“JinYuNu’’throughvariousperspectives．Intheviewofmusicalaesthetics，ethnomusicologyandmusicalmorphology,thispaperanalyzesthemusicalaesthe

4、ticfeaturesexclusivelyrevealedinXun’Ssinging，whichincludesthreeaspects：themusicalaccompaniments，historicalbackgroundandtheoverallstyleofXunHuisheng’SThispaperrepresentsthemusicalaestheticfeaturesinXunHuisheng’Sperformancefromthreeaspects．First，intheviewofIIhistoricalbackground，previousresearche

5、sonthisrenownedactor’Sperformancemainlyfocusedonthedescriptionofhisactivitieswithoutaclear-cutdistinctionbetweendifferentphasesofhisperformancelife．Thisthesisdividedhislifeintofourperiods：initialperiod，writingperiod，maturepedodandlastperiod．Second，intheviewofmusicalmorphology,thispaperpresentsg

6、raphicanalysesofthestructureofmusicandthestructureofperformancein‘‘JinYuNu’’，aimingatfacilitatingtheanalysisofmorphologicalfeaturesinhissinging．Third，intheviewofmusicalaesthetics，thispaperfocusesonthecharm(thecharmintheunityofoppositenessandthecharminappropriateness)andvividness(thevividnessine

7、legantsymbolsandthevividnessinfreshstagesets)ofXun’Sperformance．Keywords：XunHuisheng；charm；vividness；thecharmintheunityofoppositeness；thecharminappropriateness；thevividnessinelegantsymbols；thevividnessinfreshstagesets天津音乐学院学位论文原创性