八仙祝寿纹饰与晚明社会生活的关系—以景德镇青花瓷为例 毕业论文

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1、景德镇陶瓷学院本科生毕业论文题目：八仙祝寿纹饰与晚明社会生活的关系——以景德镇青花瓷为例19八仙祝寿纹饰与晚明社会生活的关系——以景德镇青花瓷为例摘要：八仙文化的兴起是中国道教神仙文化的产物，是广大黎民百姓对美好生活的向往，也是我国古代传统文化发展的必然产物。八仙文化的出现是古代帝王对长生不老的寄托，对长寿的追求，是平民百姓对美好生活的向往。明末社会政局动荡、政治黑暗，皇室的渐“入奢”生活、长生不老的向往、道佛文化的兴起，使得社会上虚妄思潮严重，求神信佛自然而然成为当时人们的一种寄托，而八仙的兴起在此时正好符合

2、当时皇室与平民百姓的需求，“上行下效”使得八仙在此时极为盛行。本文从八仙祝寿这一吉祥纹饰来全面分析晚明社会生活以及瓷器对晚明社会生活的影响。文章以景德镇青花瓷器的考察为中心,主要从三个方面探讨了八仙祝寿纹饰对晚明社会生活产生的影响：1、八仙祝寿纹饰的大量产生促使了晚明社会风气的异变；2、八仙祝寿纹饰对晚明的祝寿模式和文人文化产生了影响；3、八仙祝寿纹饰社会功能的考究。本文对比分析论证法，以景德镇青花瓷八仙纹饰为例来了解晚明社会生活的变迁函数晚明的社会生活。关键词：晚明社会吉祥纹饰八仙祝寿青花瓷19Abstrac

3、t:TheriseoftheeightimmortalscultureistheproductofChineseTaoistimmortalculture,istheembodimentofthetraditionalmyththought,istheresultofthedevelopmentofChinesetraditionalculture.Thoughtsoftheeightimmortalsonsuiperiodofcultureandsociallifehasveryimportantinflue

4、nce.Theemergenceoftheeightimmortalsistheanchorageofemperorsoflongevityandimmortality,isordinarypeopleyearningforabetterlife.Socialunrestandpoliticaldarkness,royalgraduallyintotheluxuryoflife,foreveryearning,"isverypopularatthistime.Thisarticlefromeeightimmor

5、talsbirthdaythisauspiciousgraintothecomprehensiveanalysisoflateMingdynastysocietylifeandtheinfluenceofChinainlateMingdynastysociallife,ismoreimportantforsocialfunctionsofthethinkingoftheeightimmortalsintheperiodoflateMingdynasty.KeyWords:LateMingdynastysocia

6、llife,TheeightimmortalsbirthdayBlueandwhiteporcelain19目录中文摘要································································································2Ａｂｓｔｒａct························································································31.绪论

7、····································································································51.1选题缘由····························································································51.2国内外研究的现状与问题···········································

8、·····························51.3主要内容与基本思想···············································································62.晚明八仙人物纹饰的兴起与繁荣························································