欢迎来到天天文库
浏览记录
ID:77966639
大小:1.06 MB
页数:25页
时间:2022-01-30
《论古筝作品《溟山》中创作手法及演奏技巧的创新》由会员上传分享,免费在线阅读,更多相关内容在学术论文-天天文库。
1、分类号:J632.32吉林艺术学院硕士学位论文论古筝作品《溟山》中创作手法及演奏技巧的创新杨阳指导教师姓名:王晓红陈吉风申请学位级别:硕士研究方向:古筝论文提交日期:2014年5月20日论文答辩日期:2014年5月28日摘要本研究生学位论文通过对王中山先生于1991年创作的古筝独奏曲《溟山》为研究对象,通过对此作品的音乐风格、技巧运用、曲式变化等分析,研究其创作手法及演奏技巧的创新,从而探求创新对古筝作品、演奏技巧、古筝演奏者及古筝自身的意义。关键词古筝创作技巧创新ABSTRACTThegraduatedegreethesisbyMr.WangZhongshanin
2、1991guzhengsolocreation"seamountain"astheresearchobject,thisworksbymusicalstyle,usinganalyticaltechniques,formchanges,studyitscreativeapproachandplayingskillsinnovation,whichworkstoexplorethesignificanceofinnovationforzither,musicalskills,andguzhengzitherplayeritself.KEYWORDS:guzhengar
3、tistictechniquennovation目录引言································································1一、课题的缘起·······················································1二、研究方法及意义···················································1第一章古筝及《溟山》简介··········································2第一节古筝简介·······
4、···············································2第二节创作背景······················································2第三节作品简介······················································3第二章《溟山》中创作手法的创新···································4第一节定弦法的创新··················································4第二节
5、转调方式的创新················································4第三节节奏节拍的变化················································5第三章《溟山》中演奏技巧的创新·····································6第一节左手技巧创新··················································6第二节独特的音效技巧················································
6、7结语·································································9参考文献·····························································10后记·································································11引言第一节课题的缘起音乐,就像人类的语言是我们生活中不可或缺的一部分。它能带给我们愉悦的精神,有时也会像一片阿司匹林抚慰我们的心灵。在历史的潮流中,音乐也在随着世
7、事的变迁而不断演变发展,而音乐也是门类庞大,分支很多。在现代这个飞速发展的社会中,尤其在我们这个慢慢苏醒变得强大的新中国,一切都是快速发展变迁的。无论是传统的、民族的文化艺术都面临着一场重大的抉择----那就是创新。古筝是中华民族的传统器乐,我们身为中华民族的一员就有义务保护它的存在,大力推动它的发展。让它不仅是民族的、传统的,还要让它成为世界的,所以我们要不断的创新。要创新,就要不断总结过去的经验和不足,再不断完善它,还要积极发掘它的更大潜能。所以这也就需要我们每一代的古筝爱好者、艺术家、作曲家等等的不懈努力和追求,让古筝无论是在现代还是未来都能及时的注入新鲜
此文档下载收益归作者所有