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1、THEMANWITHOUTCONTENTGiorgioAgambenTheManWithoutContentwasoriginallypublishedinItalianin1994underthetitleL'uomosenzacontenuto©1994byQuodlibetfortheItalianeditionToGiovanniUrbaniasatokenoffriendshipandgratitudeContentsTranslator'sNote2§1TheMostUncannyThing3§2FrenhoferandHisDouble7§
2、3TheManofTasteandtheDialecticoftheSplit9§4TheCabinetofWonder18§5"Lesjugementssurlapoésieontplusdevaleurquelapoésie"25§6ASelf-AnnihilatingNothing33§7PrivationIsLikeaFace36§8PoiesisandPraxis42§9TheOriginalStructureoftheWorkofArt58§10TheMelancholyAngel64Notes721Translator'sNoteTheMa
3、nWithoutContentengagesinadialoguewithalargenumberofliteraryandespeciallyphilosophicalfigures,fromPlatotoWalterBenjamin.WiththeexceptionoftheGreekandFrenchsources,AgambenquotesinItaliantranslation,frequentlyhisown.IntheinstancesinwhichIhavelocatedEnglishtranslationsforthepassagesqu
4、oted,IhaveroutinelymodifiedthemtofollowmorecloselythewordingofAgamben'sItaliantranslations.Incaseswherenopublishedtranslationiscited,thetranslationsaremine.ThankstoThomasAlbrecht,DavidArndt,JenniferBajorek,E.S.Burt,ErinFerris,KevinNewmark,RichardRegosin,andElizabethRottenbergforhe
5、lpwithsources,andtoNancyYoungforherexcellentediting.2THEMANWITHOUTCONTENT§ITheMostUncannyThingInthethirdessayoftheGenealogyofMorals,NietzschesubjectstheKantiandefinitionofthebeautifulasdisinterestedpleasuretoaradicalcritique:Kantthoughthewashonoringartwhenamongthepredicatesofbeaut
6、yheemphasizedandgaveprominencetothosewhichestablishedthehonorofknowledge:impersonalityanduniversality.Thisisnottheplacetoinquirewhetherthiswasessentiallyamistake;allIwishtounderlineisthatKant,likeallphilosophers,insteadofenvisagingtheaestheticproblemfromthepointofviewoftheartist(
7、thecreator),consideredartandthebeautifulpurelyfromthatofthe"spectator,"andunconsciouslyintroducedthe"spectator"intotheconcept"beautiful."Itwouldnothavebeensobadifthis"spectator"hadatleastbeensufficientlyfamiliartothephilosophersofbeauty--namely,asagreatpersonalfactandexperience,as
8、anabundanceofvividauthenticexperiences,d
