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1、A‘Bondian’approachtoDrama*Bond’sdramaenablesustocreate‘self’throughmakingvalues-humanness-byreconnectingreasonwithimaginationinaDramaEventorDE.Ourpost-modernculturehasdisconnectedtherationalandtheimaginative,thesocialfromthepersonal,andthusdestroyedthehuman.
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2、eoftheimagination
incommonperceptiontheimaginaryistheoppositeofthereal,orlinkedwiththeunreal.Bondianimaginationisfoundinthereal,‘desiresreality’,islinkedwiththereal,isinitselfreal.Bondianimaginationisnotsomuchamatterofinventingsomethingnewasof(paradoxically)underst
3、andingwhatalreadyexists.Itisawayofgainingknowledge,extendingsensoryperception,andcomplementingreason,allowingustoapprehendandinterpret,andtherefore‘create’theoutsideworld.And,as‘weactwithhumanitywhenourimaginationrecognisesimaginationinothers’andas‘wemustimagineeac
4、hother’,itisfundamentallyaltruisticandisthereforetheprimordialsourceofTheHuman.Theimaginationisbornoutoftheneonate’s(baby’s)needtounderstandtheworld.Itisconnectedwiththeimperativeforjusticeandourradicalinnocence.Intheimaginationweask‘Whyishedoingthat?’weask,andindo
5、ingitwehavetoimaginethatweweredoingittoseewhatitwouldfeellike.Weputourselvesintheshoesofthedyingsoldier:theaudienceworkhereisveryclosetotheactor’swork.Wedon’texperiencesecondhandintheDEbutfirsthand,wedon’techothecharacters’emotions,wehavetogenerateourownemotionalre
6、sponsebyenteringintothesite.TheSiteAlldramamusthaveasite.TherearemanysitesbutBondidentifies4keyinter-connected/interpenetratingaspectsofthesites(SeeModernDrama–TheHiddenPlot)A:Thesocialsites–theculturewhichisselfevidenttotheaudienceB:Thespecificsitesofthedrama,thes
7、tory,whichincorporatesiteA.C:ThemeansbywhichsitesAandBareconveyedtotheaudienceassite–primarilythroughtheimages,actionandobjects.D:Theaudienceasasiteoftheimagination.A,BandCmustbeconveyedtothissite.Disdrama'sspecificsitebecauseitcontainsalltheothersitesandtheirinter
8、relations.Drama'sidentitycomesformeetingtheneedsofD.D-Thisisthe‘self’site.4WeaccessSiteDthroughDE.TheaudienceexperiencesAccidentTime,wecreateagap
